EVENTS / VIDEOS / ARTICLES

Upcoming Exhibitions

Fall 2022, Storm, Von Lintel Gallery, Los Angeles, CA

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Winter 2022, The Story Series, The Mattatuck Museum, Waterbury, CT

 

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Details
ARTICLES

Journal of the Plague Years, "Strange Days: The World is Still Beautiful, Carolyn Marks Blackwood, Aug 2021

The Photographs of Carolyn Marks Blackwood: From New York to Cuenca to Show "Shared Humanity"

by Francisca Bravo, May 2021

Story Series, Tweet Video Interview 2:15 in Cuenca Spain, Oct 2020

The World is Still Beautiful: Carolyn Marks Blackwood by Abby Foster, Chronogram, May 2020

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El misterio oculto tras las fachadas,  Silvia Hernando,  El Pais, November 2019

5 Daily Habits of the World’s Greatest Photographers, by Maggie King, Phlearn Magazine, October 2018

The Uncanny: Barbara Rose on Carolyn Marks Blackwood’s Story Series, WhiteHot Magazine, November 2017

Carolyn Marks Blackwood: The Ephemeral Beauty of Ice and Time, Joan Juliet Buck,Musée Magazine,November 2016

At Adamson Gallery, A Blurring of Lines in ‘Elemental Perspectives’ , Louis Jacobson Wash City Paper, February 2016

Carolyn Marks Blackwood: On The Edge, By Barbara Rose, Musée Magazine, March 2016

In the galleries: Nature’s Serenity, By Mark Jenkins, Washington Post, March 2016

Single Work Appreciation Day: ‘Nautical Twilight,’ Carolyn Marks Blackwood by Daniel Maidman, May 2015

Carolyn Marks Blackwood: THE EPHEMERAL BEAUTY OF ICE AND TIME, Joan Juliet Buck, November 2015

5 Artists to Watch: The Photography Edition, Artnet, April 2015

Is There Great Art on Instagram? by Jerry Saltz, Vulture, December 2014

Midnight Where the Sun Never Sets, Breathtaking views of the Arctic, The New Republic, July 2014

Interview with Carolyn Marks Blackwood: Elements of Place, by Nora Landes, Musée Magazine, July 2014

Wild, Abstract Landscapes Capture the Majesty of the Hudson River, By Ellyn Kail, Feature Shoot, July  2014  

Stunning Cloudscapes Photographed by Carolyn Marks Blackwood by Amanda Gorence, Feature Shoot, May 2013

A Lighthouse in Winter, The New York Times, by Andrew C. Revkin, February 2014